The Languages of Global Hip Hop

Looks at linguistic, cultural and economic aspects of hip-hop in parallel using various frameworks of analysis.

The Languages of Global Hip Hop

The Languages of Global Hip Hop

Looks at linguistic, cultural and economic aspects of hip-hop in parallel using various frameworks of analysis.

Language Media and Globalization in the Periphery

Language in Society, 35(1), 59–91. Lee, J. S. (2010). Glocalizing keepin' it real: South Korean hip-hop playas. In M. Terkourafi (Ed.), The Languages of Global Hip Hop (pp. 139–162). London: Continuum. Lee, J. S., and Moody, A. (Eds.).

Language  Media and Globalization in the Periphery

Language Media and Globalization in the Periphery

The title seeks to show how people are embedded culturally, socially and linguistically in a certain peripheral geographical location, yet are also able to roam widely in their use and takeup of a variety of linguistic and cultural resources. Drawing on data examples obtained from ethnographic fieldwork trips in Mongolia, a country located geographically, politically and economically on the Asian periphery, this book presents an example of how peripheral contexts should be seen as crucial sites for understanding the current sociolinguistics of globalization. Dovchin brings together several themes of wide contemporary interest, including sociolinguistic diversity in the context of popular culture and media in a globalized world (with a particular focus on popular music), and transnational flows of linguistic and cultural resources, to argue that the role of English and other languages in the local language practices of young musicians in Mongolia should be understood as "linguascapes." This notion of linguascapes adds new levels of analysis to common approaches to sociolinguistics of globalization, offering researchers new complex perspectives of linguistic diversity in the increasingly globalized world.

Global Englishes and Transcultural Flows

This timely book explores the relationship between global Englishes (the spread and use of diverse forms of English within processes of globalization) and transcultural flows (the movements, changes and reuses of cultural forms in disparate ...

Global Englishes and Transcultural Flows

Global Englishes and Transcultural Flows

The English language is spreading across the world, and so too is hip-hop culture: both are being altered, developed, reinterpreted, reclaimed. This timely book explores the relationship between global Englishes (the spread and use of diverse forms of English within processes of globalization) and transcultural flows (the movements, changes and reuses of cultural forms in disparate contexts). This wide-ranging study focuses on the ways English is embedded in other linguistic contexts, including those of East Asia, Australia, West Africa and the Pacific Islands. Drawing on transgressive and performative theory, Pennycook looks at how global Englishes, transcultural flows and pedagogy are interconnected in ways that oblige us to rethink language and culture within the contemporary world. Global Englishes and Transcultural Flows is a valuable resource to applied linguists, sociolinguists, and students on cultural studies, English language studies, TEFL and TESOL courses.

The Local Construction of a Global Language

For example , Pennycook ( 2003 ) uses the notion of performativity to show how Japanese rappers construct multilayered identities through the language of global hip hop ; in doing so , he argues that the lyrics and music of Japanese hip ...

The Local Construction of a Global Language

The Local Construction of a Global Language

Main description: The book investigates how the hegemony of English in South Korea is constructed through the mediation of language ideologies. Based on an innovative analysis of metalinguistic discourse in language policy debates, cross-linguistic humor, television shows, and face-to-face interaction, it cogently tells the story of how the complex meaning of English as a global language emerges through local discourse.

Tha Global Cipha

About Tha Global Cipha Tha Global Cipha is the first volume on Hip Hop Culture to include in - depth ... flows between Hip Hop , Dancehall , and Reggaeton ; and the languages , histories , and styles of the Global Hip Hop Nation .

Tha Global Cipha

Tha Global Cipha

This book presents in-depth conversations with hip-hop artists from around the world, representing the many regional scenes of the U.S. (from the East Coast to the Bay Area to the Dirty South), France, the Caribbean (from Jamaica to Puerto Rico), and Africa (from Algeria to Senegal), as well as diverse forms of street musics, such as Reggaeton, Reggae/Dancehall, Shaabi and Rai. Conversations with Jay-Z, Mos Def, Eve, Sean Paul, Young Jeezy, Foxy Brown, Booba, Buju Banton, Ivy Queen, Afrika Bambaataa, Sonia Sanchez, DJ Kool Herc, Oxmo Puccino, Trina, Cornbread, Mannie Fresh, Intik, Beanie Sigel, Cheb Khaled, Pitbull, Manu Key, Tego Calderon and many others, demonstrate these artists to be critical interpreters of their own culture and of the world around them. This book centers the usually marginalized voices of Hip Hop communities, presenting a remarkably refreshing and revealing view of Hip Hop Culture from the inside-out.

Punk Muslim

Alim , H. Samy ( 2005 ) “ A New Research Agenda : Exploring the Transglobal Hip Hop Umma ” in Miriam Cooke & Bruce B. ... R. O'G ( 1990 ) “ Language and Power : Exploring Political Cultures in Indonesia ” ( Ithaca , NY : Cornell ...

Punk Muslim

Punk Muslim

This book examines religious practices of the Muslim youth movement in Indonesia called Punk Muslim. The movement endeavors to integrate two distinct cultures namely punk and Islam. This group performs not only hard music of a type that is forbidden in Islam but also religious activities in everyday life. By employing classical ethnography methods, this book describes the dual identity of Punk Muslim which contradicts one an other that is Islam as established norms and punk as anti-establishment behavior and the way they negotiate Islam with punk culture to gain acceptance from both Muslim and Punk communities. --

Global Pop Local Language

Swahili? Chichewa? English? Some combination of these? Global Pop, Local Language examines how performers and audiences from a wide range of cultures deal with the issue of language choice and dialect in popular music.

Global Pop  Local Language

Global Pop Local Language

Cultural Studies -- Ethnomusicology--> Why would a punk band popular only in Indonesia cut songs in no other language than English? If you're rapping in Tanzania and Malawi, where hip hop has a growing audience, what do you rhyme in? Swahili? Chichewa? English? Some combination of these? Global Pop, Local Language examines how performers and audiences from a wide range of cultures deal with the issue of language choice and dialect in popular music. Related issues confront performers of Latin music in the U.S., drum and bass MCs in Toronto, and rappers, rockers, and traditional folk singers from England and Ireland to France, Germany, Belarus, Nepal, China, New Zealand, Hawaii, and beyond. For pop musicians, this issue brings up a number of complex questions. Which languages or dialects will best express my ideas? Which will get me a record contract or a bigger audience? What does it mean to sing or listen to music in a colonial language? A foreign language? A regional dialect? A "native" language? Examining popular music from a range of world cultures, the authors explore these questions and use them to address a number of broader issues, including the globalization of the music industry, the problem of authenticity in popular culture, the politics of identity, multiculturalism, and the emergence of English as a dominant world language. The chapters are written in a highly accessible style by scholars from a variety of fields, including ethnomusicology, popular music studies, anthropology, culture studies, literary studies, folklore, and linguistics. Harris M. Berger is associate professor of music at Texas A&M University. He is the author of Metal, Rock and Jazz: Perception and the Phenomenology of Musical Experience (1999). Michael Thomas Carroll is professor of English at New Mexico Highlands University. He is the author of Popular Modernity in America: Experience, Technology, Mythohistory (2000) and co-editor, with Eddie Tafoya, of Phenomenological Approaches to Popular Culture (2000).

The Languages of Africa and the Diaspora

Furthermore , the diverse global Hip Hop community can be a powerful tool to teach tolerance , awareness and acceptance of others . Our sensitivity to and application of this youth culture to classroom practices allows us to reach some ...

The Languages of Africa and the Diaspora

The Languages of Africa and the Diaspora

This book explores subordinated vernacular languages in the context of African, Caribbean and US educational landscapes, highlighting the social cost of linguistic exceptionalism in these areas. It examines contravening movements towards forms of linguistic diversity and offers a comprehensive approach to language awareness in educative settings.

English as a Local Language

Here , English is used as a language of neutralization when the staff use codeswitching between Swahili and ... Rappers double - identify with the global hip hop nation and with their local fan base by using names and lyrics that ...

English as a Local Language

English as a Local Language

This book explores how multilingualism involving English is ordered in post-colonial, globalizing societies. By placing multilingual practices at the theoretical center, the author investigates a range of sociolinguistic domains to demonstrate how individuals use English as a local resource to produce an array of local and global identifications.

African Americans and Popular Culture Music and popular art

A growing number of global specific studies on hip - hop are being written in various languages and published abroad . Within this paper , however , I will provide a partial list of English - language book - length works that address ...

African Americans and Popular Culture  Music and popular art

African Americans and Popular Culture Music and popular art

The African American influence on popular culture is among the most sweeping and lasting this country has seen. Despite a history of institutionalized racism, black artists, entertainers, and entrepreneurs managed to forge deep relationships within American popular culture. Pioneers such as Oscar Michaeux, Paul Robeson, Satchel Paige, Josh Gibson, Langston Hughes, Bill Bojangles Robinson, and Ella Fitzgerald paved the way for Jackie Robinson, Louis Armstrong, James Baldwin, Bill Russell, Muhammad Ali, Sidney Poitier, and Bill Cosby, who in turn opened the door for Spike Lee, Dave Chappelle, Dr. Dre, Jay-Z, Tiger Woods, and Michael Jordan. Though there are still many more miles to travel and much to overcome, this three-volume set considers the multifaceted influence of African Americans on popular culture, and sheds new light on the ways in which African American culture has come to be a fundamental and lasting part of America itself. By presenting essays that are both overviews and arguments, this set will equip the public with compelling background information on central issues, along with provocative, thorough reflections on the implications of those issues in our world. In order to articulate the momentous impact African American popular culture has had upon the fabric of American society, these three volumes provide analyses from academics and experts across the country. The purpose of the volumes is to provide the most reliable, accurate, up-to-date, and comprehensive treatment of key topics, works, and themes in African American popular culture for a new generation of readers. The scope of the project is vast, including: popular historical movements like the Harlem Renaissance;the legacy of African American comedy; African Americans and the Olympics; African Americans and rock 'n roll; more contemporary articulations such as hip hop culture and black urban cinema; and much more. Part of this project is to recuperate histories that have been perhaps forgotten or obscured to mainstream audiences and demonstrate how African Americans are not only integral to American culture, but how they have always been purveyors of popular culture.

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