La Bas

... a Chambermaid – Octave Mirbeau £7.99 Sébastien Roch – Octave Mirbeau £9.99 Torture Garden – Octave Mirbeau £7.99 ... £8.99 The Decadent Cookbook – Medlar Lucan & Durian Gray £9.99 The Decadent Gardener – Medlar Lucan & Durian Gray ...

La Bas

La Bas

" Huysmans novel, though it is clearly rooted in the preoccupations of the late 19th century, is remarkably prophetic about the concerns of our own recent fin de siecle. With its allusions to, amongst other things, Satanic child abuse, alternative medicine, New Age philosophy and female sexuality, the novel has clearly a lot to say to a contemporary audience. As with most of Huysmans' books, the pleasure in reading is not necessarily from its overarching plot-line, but in set pieces, such as the extraordinary sequences in which Gilles de Rais wanders through a wood that suddenly metamorphoses into a series of copulating organic forms, the justly famous word-painting of Matthias Grunewald's Crucifixion altar-piece, or the brutally erotic scenes, crackling with sexual tension, between Durtal and Madame Chantelouve. If it is about anything, La-Bas is about Good and Evil. This enlightening new translation will be especially useful to students of literature. Not only does it contain an introduction that puts Huysmans in context for those who are new to his work, it also includes extensive notes to unlock the mass of obscure words that litter the text, and references to a vast array of scientists, false messiahs and misfits whose ideas went into the concoction of this strangely fascinating book." Beryl Bainbridge in The Spectator �This novel is one of the key texts of the Decadent movement of the 1890s and writhes with satanists, occultists, incubi (male demons), succubi (female demons) and intellectuals.” Sophia Martelli in The Observer "This Gothic shocker is not for the faint hearted..." Jerome Boyd Maunsell in The Times "The classic tale of satanism and sexual obsession in nineteenth-century Paris, in an attractive new edition. The novel's enervated anti-hero, Durtal, is writing a book about Gilles de Rais, child-murderer and comrade in arms of Joan of Arc. When he's not swotting up on alchemy, visiting Rais' ruined castle and fantasising about a mystery woman, he is pondering Catholicism with his friends. But his sexual adventures and historical studies mesh when he's invited to witness a black mass. Strong meat for diseased imaginations." Time Out

Meaning in Landscape Architecture and Gardens

Perhaps the garden in Japan and China began as a desire to merge human consciousness with stone, a material exploited ... The Decadent Gardener, which purports to record the landscape work of Medlar Lucan and Durian Gray at Mountcullen, ...

Meaning in Landscape Architecture and Gardens

Meaning in Landscape Architecture and Gardens

While we all live our lives in designed landscapes of various types, only on occasion do we consider what these landscapes mean to us and how they have acquired that significance. Can a landscape architect or garden designer really imbue new settings with meaning, or does meaning evolve over time, created by those who perceive and use these landscapes? What role does the selection and arrangement of plants and hard materials play in this process and just where does the passage of time enter into the equation? These questions collectively provide the core material for Meaning in Landscape Architecture and Gardens, a compendium of four landmark essays written over a period of twenty years by leading scholars in the field of landscape architecture. New commentaries by the authors accompany each of the essays and reflect on the thinking behind them as well as the evolution of the author’s thoughts since their original publication. Although the central theme of these writings is landscape architecture broadly taken, the principal subject of several essays and commentaries is the garden, a subject historically plentiful in allusions and metaphors. As a whole Meaning in Landscape Architecture and Gardens offers the general reader as well as the professional a rich source of ideas about the designed landscape and the ways by which we perceive, consider, react, and dwell within them – and what they mean to us. The essays have been perennial favorites in landscape courses since their original publication in Landscape Journal. Bringing them together – bolstered by the new commentaries – creates a book valuable to all those creating gardens and landscapes, as well as those teaching and studying these subjects.

Our Bodies Are Selves

the MeSSy Garden The following quotes from donna Haraway, a scholar of science and technology, and from the Bible, ... Haraway writes: “And like the productions of a decadent gardener who can't keep the good distinctions between natures ...

Our Bodies Are Selves

Our Bodies Are Selves

Our Bodies Are Selves is a look at what it means to be human in a world where medical technology and emerging ethical insight force us to rethink the boundaries of humanity/spirit and man/machine. This book gives us a fresh look at how our expandingbiological views of ourselves and our shared evolutionary history shows us a picture that may not always illumine who and where we are as Christians. Offering up Christian theological views of embodiment, the authors give everyday examples of lives of love, faith, and bodily realities that offer the potential to create new definitions of what it means to be a faith community in an increasingly technological age of medicine.

Affective Communities

Haraway, in The Companion Species Manifesto, 9, draws attention to the anarchism, or mistrust of sequestering categories, implicit in the web of a≈nities postulated by Darwin: ''And like the productions of a decadent gardener who can't ...

Affective Communities

Affective Communities

“If I had to choose between betraying my country and betraying my friend, I hope I should have the guts to betray my country.” So E. M. Forster famously observed in his Two Cheers for Democracy. Forster’s epigrammatic manifesto, where the idea of the “friend” stands as a metaphor for dissident cross-cultural collaboration, holds the key, Leela Gandhi argues in Affective Communities, to the hitherto neglected history of western anti-imperialism. Focusing on individuals and groups who renounced the privileges of imperialism to elect affinity with victims of their own expansionist cultures, she uncovers the utopian-socialist critiques of empire that emerged in Europe, specifically in Britain, at the end of the nineteenth century. Gandhi reveals for the first time how those associated with marginalized lifestyles, subcultures, and traditions—including homosexuality, vegetarianism, animal rights, spiritualism, and aestheticism—united against imperialism and forged strong bonds with colonized subjects and cultures. Gandhi weaves together the stories of a number of South Asian and European friendships that flourished between 1878 and 1914, tracing the complex historical networks connecting figures like the English socialist and homosexual reformer Edward Carpenter and the young Indian barrister M. K. Gandhi, or the Jewish French mystic Mirra Alfassa and the Cambridge-educated Indian yogi and extremist Sri Aurobindo. In a global milieu where the battle lines of empire are reemerging in newer and more pernicious configurations, Affective Communities challenges homogeneous portrayals of “the West” and its role in relation to anticolonial struggles. Drawing on Derrida’s theory of friendship, Gandhi puts forth a powerful new model of the political: one that finds in friendship a crucial resource for anti-imperialism and transnational collaboration.

Dear Friend and Gardener

Letters on Life and Gardening Beth Chatto, Christopher Lloyd. extraordinary decadent work, illustrated by Simon Boughton with piano and cartoons. So I stayed to listen to the performance, played by the Concertgebouw Orchestra ...

Dear Friend and Gardener

Dear Friend and Gardener

Dear Friend and Gardener is a lively exchange of letters between Christopher Lloyd and Beth Chatto, two long-established friends and distinguished gardeners.

The Land of the Crooked Tree

Whence came the gardeners ? ... When in a contemplative mood , or when the desire came for mild adventure , I would go to this wild garden , usually ... grass everywhere , gave the plot the aspect of a decadent garden in the Old World .

The Land of the Crooked Tree

The Land of the Crooked Tree

In 1874, the Hedrick family arrived in L 'Arbre croche or "crooked tree," as the Jesuit missionaries had called it one hundred and fifty years earlier. The wilderness of Little Traverse Bay had just been opened for homesteading, and the Hedricks joined a dozen other white families in the trading post of Little Traverse, situated in virgin forest. From the age of four until he left the area at eighteen, U. P. Hedrick saw the shabby trading post rum into the tidy village of Harbor Springs. In those years, mechanized logging replaced the homesteader's crosscut saw; the passenger pigeon disappeared; and the railroad arrived. Hedrick writes of his youth and shows himself to be a sharp and often witty observer of the little details of domestic life on the Michigan frontier. He expounds on cooking whitefish and blackberry rolypoly, on the farmer's "arsenal of axes," on pigs and their parts-both edible and useful, on wild and cultivated fruits, on trees, on kettles, and on Indians of the area. Lovers of Michigan's woods and fields, lakes and rivers; professional historians; and storytellers will find themselves delighted by Hedrick's account. The Land of the Crooked Tree is a Great Lakes Books reprint.

Sissinghurst The Dream Garden

She was gardening loosely and with the feeling of the place dictating a mood that was free and to a degree decadent. Entire sections of the garden might be allowed to peak for a moment and then be gone, in the knowledge that you could ...

Sissinghurst  The Dream Garden

Sissinghurst The Dream Garden

Step inside the world's most famous garden and understand the strength of its attraction since is was bought and transformed by writer Vita Sackville West and diplomat Harold Nicholson in the 1930s. This unforgettable garden of rooms is influential today for its design, its exuberant planting, and its effect on visitors as a complete garden experience. Author Tim Richardson explores its power and its magic, explaining the nuances of its evolution and shows how we can all enjoy it today.

Follies Grottoes Garden Buildings

... Baltimore , Md , 1961 ' M. Lucan and D. Gray ' [ = A. Martin and J. Fletcher ) , The Decadent Gardener , Sawtry , 1996 J. Macaulay , The Gothic Revival 1745-1845 , Glasgow , 1975 R. Macaulay , Pleasure of Ruins , London , 1953 M.

Follies  Grottoes   Garden Buildings

Follies Grottoes Garden Buildings

Chronicles nearly 1,450 UK sites which boast follies, grottoes or garden buildings of original or eccentric aspect.

The Education of a Gardener

In Europe the limits of dullness in garden design seems to me to be achieved in the decadent formality of the later followers of Le Notre one glance from the centre of the main axis of their dreary compositions is enough.

The Education of a Gardener

The Education of a Gardener

Russell Page was one of the most famous landscape gardeners in Europe. This is his classic text describing his training and the making of his many and celebrated gardens. Written in clear, elegant prose, illustrated with a substantial photographic section, this edition boasts pictures by Marina Schinz of Russell Page's gardens in a more mature form and hitherto unpublished photographs from the author's files with a foreword and captions by Fred Whitsey, gardening correspondent to the Daily Telegraph.

Decadent Subjects

Thus the garden surrounding Lourps resembles the cemetery in the Paradou : “ All the cultivated flowers of the beds were dead ; it was an inextricable tangle of roots and creepers , an invasion of couch grass , an assault by garden ...

Decadent Subjects

Decadent Subjects

Honorable Mention for the Aldo and Jeanne Scaglione Prize for Comparative Literary Studies from the Modern Language Association Charles Bernheimer described decadence as a "stimulant that bends thought out of shape, deforming traditional conceptual molds." In this posthumously published work, Bernheimer succeeds in making a critical concept out of this perennially fashionable, rarely understood term. Decadent Subjects is a coherent and moving picture of fin de siècle decadence. Mature, ironic, iconoclastic, and thoughtful, this remarkable collection of essays shows the contradictions of the phenomenon, which is both a condition and a state of mind. In seeking to show why people have failed to give a satisfactory account of the term decadence, Bernheimer argues that we often mistakenly take decadence to represent something concrete, that we see as some sort of agent. His salutary response is to return to those authors and artists whose work constitutes the topos of decadence, rereading key late nineteenth-century authors such as Nietzsche, Zola, Hardy, Wilde, Moreau, and Freud to rediscover the very dynamics of the decadent. Through careful analysis of the literature, art, and music of the fin de siècle including a riveting discussion of the many faces of Salome, Bernheimer leaves us with a fascinating and multidimensional look at decadence, all the more important as we emerge from our own fin de siècle.

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