The Original Hot Five Recordings of Louis Armstrong

Muskrat Ramble ” * Table 4.6 . Structural Outline of “ Muskrat Ramble ” ( Ab Major ] SECTION INSTRUMENTATION BARS Chorus A1 Ensemble 16 16 Chorus B1 Chorus B2 Ensemble Trombone Solo 16 Chorus B3 Cornet Solo 16 Chorus B4 Clarinet Solo 16 ...

The Original Hot Five Recordings of Louis Armstrong

The Original Hot Five Recordings of Louis Armstrong

Between 1925 and 1928 the Hot Five--the incomparable Louis Armstrong and four seasoned practitioners of the burgeoning jazz style--recorded fifty-five performances in Chicago for the OKeh label. Oddly enough, the quintet immortalized on vinyl with recent technology rarely performed as a unit in local nightspots. And yet, like other music now regarded as especially historic, their work in the studio summarized approaches of the past and set standards for the future. Remarkable both for popularity among the members of the public and for influence on contemporary musicians, these recordings helped make "Satchmo" a familiar household name and ultimately its bearer an adored public figure. They showcased Armstrong's genius, notably his leadership in transforming the practice of jazz as an ensemble improvisation into jazz as the art of the improvising soloist. In his study Professor Anderson--for the first time--provides a detailed account of the origins of this pioneering enterprise, relates individual pieces to existing copyright deposits, and contextualizes the music by offering a reliable timeline of Armstrong's professional activities during these years. All fifty-five pieces, moreover, are described in informed commentary [Publisher description].

Creole Trombone

13 Gene Anderson in The Original Hot Five Recordings of Louis Armstrong notes the obvious ragtime origins of “Muskrat Ramble,” particularly its 16-bar chorus and “saw-toothed" theme. To Anderson, “Muskrat Ramble" echoes, ...

Creole Trombone

Creole Trombone

Edward "Kid" Ory (1886-1973) was a trombonist, composer, recording artist, and early New Orleans jazz band leader. Creole Trombone tells his story from birth on a rural sugar cane plantation in a French-speaking, ethnically mixed family, to his emergence in New Orleans as the city's hottest band leader. The Ory band featured such future jazz stars as Louis Armstrong and King Oliver, and was widely considered New Orleans's top "hot" band. Ory's career took him from New Orleans to California, where he and his band created the first African American New Orleans jazz recordings ever made. In 1925 he moved to Chicago where he made records with Oliver, Armstrong, and Jelly Roll Morton and captured the spirit of the jazz age. His most famous composition from that period, "Muskrat Ramble," is a jazz standard. Retired from music during the Depression, he returned in the 1940s and enjoyed a reignited career. Drawing on oral history and Ory's unpublished autobiography, Creole Trombone is a story that is told in large measure by Ory himself. The author reveals Ory's personality to the reader and shares remarkable stories of incredible innovations of the jazz pioneer. The book also features unpublished Ory compositions, photographs, and a selected discography of his most significant recordings.

The Muskrat Ramble

The Muskrat Ramble

The Muskrat Ramble


The Later Swing Era 1942 to 1955

This unique recording contains an opening fanfare, "Shine," as well as "Eh La Bas" (featuring Ory's vocals), "12th Street Rag," Ory's "Blues for Jimmy Noone," "Tiger Rag," "Milenberg Joys," Ory's classic "Muskrat Ramble," "St. Louis ...

The Later Swing Era  1942 to 1955

The Later Swing Era 1942 to 1955

Presents a history and critique of Swing music from the World War II years up to the post-World War II era, including such musicians as Ella Fitzgerald, Frank Sinatra, Stan Kenton, and Billie Holiday.

Muskrat Ramble

"'An old man recalling his youth' - an apt description of the namesake poem, Muskrat Ramble, but also an accurate point of reference for this, the "swan song" collection of long-time Saskatchewan poet Bill Wardill.

Muskrat Ramble

Muskrat Ramble


Oh Didn t He Ramble

Salle Pleyel , Paris , February 5 , 1952 Claude Bolling , p , replaces Persiany “ Really the Blues ” ( “ Gone Away Blues ” ) Vogue LD - 070 " Royal Garden Blues " Vogue LD - 070 " Sweet Georgia Brown " Vogue LD - 070 " Muskrat Ramble ...

Oh  Didn t He Ramble

Oh Didn t He Ramble

Surveys the jazz trumpeter's career from the formative years of jazz in New Orleans, through his club successes in Chicago after 1930, to his last European tour in 1954.

Louis Armstrong

Muskrat RambleMuskrat Ramble” Music by Kid Ory Lyrics by Ray Gilbert Written 1926 Form Jazz standard Original artist Louis Armstrong and his Hot Five ”Muskrat Ramble” is a jazz composition written by Kid Ory.

Louis Armstrong

Louis Armstrong


Simon and Schuster Crostics

INTRODUCTION Several years ago, in the course of composing the list of WORDS for one of these puzzles, I used the word "muskrat." Then, having been a Dixieland-jazz fan all my life, I enlarged it to "Muskrat Ramble." You know that one.

Simon and Schuster Crostics

Simon and Schuster Crostics

Thomas H. Middleton, renowned for his sophisticated construction skills, once again brings together crostics that will fascinate and frustrate those who enjoy the extra challenge of finding the quotations from well-known writers hidden in each puzzle. 50 puzzles.

The Jazz Standards

Muskrat. Ramble. Composed by Kid Ory, with lyrics by Ray Gilbert song are In an unexpected turnabout, this traditional jazz tune reached its largest audience at Woodstock, where Country Joe McDonald performed the melody, with new words ...

The Jazz Standards

The Jazz Standards

An introduction for new fans, a useful handbook for jazz enthusiasts and performers, and an important reference for students and educators, this second edition of Ted Gioia's The Jazz Standards--now updated by popular demand-- belongs on the shelf of every serious jazz lover or musician.

Louis Armstrong Master of Modernism

Kid Ory is listed as the composer of Muskrat Ramble, but Armstrong claimed that they wrote it together; Ory named it, so Armstrong “gave it to him.” This probably means that Armstrong composed the first strain, a theme of riff-based ...

Louis Armstrong  Master of Modernism

Louis Armstrong Master of Modernism

Picking up where Louis Armstrong's New Orleans left off, this biographical account of the legendary jazz trumpet virtuoso highlights the historical role Armstrong played in the creation of modern music and also his encounters with racism.

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