Sung in Shadow

Within half a day of each other, inside the shadows of the Basilica, candles had flickered on an unlocking of two fragile gilded gates, and on the opening of two tall architectural tombs. Twice, men had gone up and a long shape had been ...

Sung in Shadow

Sung in Shadow

For the first time in e-book format, a retelling of Romeo and Juliet from a master of dark fantasy. In the land of Santa Verensa, the great aristocratic Houses thrive on vendetta. Although their feuds are rooted in politics, generations of grievances have made the conflict dangerously petty and bitterly personal—a society where people live and die by the Name they bear. Romulan Montargo, heir to his family, revels in the feud. Meanwhile, Iuletta Chenti, the only child of Chenti Primo, the family’s patriarch, has spent her life sheltered. The Montargos and the Chentis have hated each other for decades, but when Iuletta first sets eyes on Romulan, she knows they are meant to be together. Determined to win his affection, she casts a charm on him to draw him to her, and the two fall in love. But Iuletta is already betrothed to the Belmorio heir, and her temperamental cousin Leopardo hates the Montargos with a murderous passion. If the young lovers are to be together, they must defy their families and defy their fates, reclaiming their chance at a happy ending. Tanith Lee beautifully reimagines Shakespeare’s classic tragedy of star-crossed lovers and bloody revenge with an added fantasy twist.

SUNG IN THE SHADOW

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.

SUNG IN THE SHADOW

SUNG IN THE SHADOW

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Sung in Shadow

In a parallel world, in a Renaissance Italy just a little bit different from that we know, a dashing young man named Romulan met a lovely young lady named Iuletta.

Sung in Shadow

Sung in Shadow

In a parallel world, in a Renaissance Italy just a little bit different from that we know, a dashing young man named Romulan met a lovely young lady named Iuletta. But between their romance stood the hatred of their feuding families - and a witchcraft that really worked.

Where Rivers and Mountains Sing

I had never played a chatxan or jew's harp, and I'd never sung xai. The shadow said that if I didn't do this I'd have a strong illness, and could even die. And then after that, he showed me how xai should sound, how the chatxan should ...

Where Rivers and Mountains Sing

Where Rivers and Mountains Sing

Theodore Levin takes readers on a journey through the rich sonic world of inner Asia, where the elemental energies of wind, water, and echo; the ubiquitous presence of birds and animals; and the legendary feats of heroes have inspired a remarkable art and technology of sound-making among nomadic pastoralists. As performers from Tuva and other parts of inner Asia have responded to the growing worldwide popularity of their music, Levin follows them to the West, detailing their efforts to nourish global connections while preserving the power and poignancy of their music traditions.

Maids with Blades

Sung Liscowled. “I am glad the vermin are leaving.” “Aye.” She allowed herself a mischievous smile. “Though they'd certainly better be careful with their coin on the road. 'Twould make a nice prize for The Shadow.

Maids with Blades

Maids with Blades

Damsels in shining armor...riding to the rescue! From USA Today bestselling author Glynnis Campbell...Deirdre, Helena, and Miriel, three kick-arse Scots wenches known as The Warrior Maids of Rivenloch, aren’t about to become any man’s chattel, until they meet heroes who are strong enough to tame their wild ways and worthy enough to win their wayward hearts. Book 1: LADY DANGER A beautiful female warrior has never had trouble turning away men, but when she marries a powerful lord to save her sister, she soon finds herself losing the battle over her heart. Book 2: CAPTIVE HEART A fierce warrior maid tries to save her sister from marriage by abducting the groom's right-hand man, a plan that goes awry when her hostage is all-too-willing to succumb to her demands. Book 3: KNIGHT'S PRIZE A lovely lady with a secret proves a welcome but dangerous distraction for a mercenary bent on hunting down the mysterious outlaw known as the Shadow. More Historical Romances by Glynnis Campbell The Warrior Maids of Rivenloch THE SHIPWRECK (a novella) A YULETIDE KISS (a short story) LADY DANGER CAPTIVE HEART KNIGHT'S PRIZE The Knights of de Ware THE HANDFASTING (a novella) MY CHAMPION MY WARRIOR MY HERO Medieval Outlaws THE REIVER (a novella) DANGER'S KISS PASSION'S EXILE DESIRE'S RANSOM Scottish Lasses THE OUTCAST (a novella) MacFARLAND'S LASS MacADAM'S LASS MacKENZIE'S LASS California Legends NATIVE GOLD NATIVE WOLF NATIVE HAWK

Operas in English

In the garden of Trulove's country home, Anne Trulove (s) and her suitor, the poor Tom Rakewell (t), sing of their love in “The ... The Epilogue, in vaudeville style, is sung by the five principals, Anne, Baba, Trulove, Tom, and Shadow; ...

Operas in English

Operas in English

Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.

The Victrola Book of the Opera

The moon throws a strong shadow upon the ground. Seeing her own form thus fantastically outlined, the girl regards it as a friend. She sings and dances with her shadow as with a living partner. Then is heard the world-famous "Ombra ...

The Victrola Book of the Opera

The Victrola Book of the Opera

In depth descriptions of various operas with scene by scene, aria by aria accounts.

Asian Puppets

The earliest documentary evidence for shadow puppetry in China is from the Northern Sung Dynasty ( A.D. 960-1126 ) in Honan Province . Many Sung writers refer to shadow puppet performances and claim also that this art did not exist ...

Asian Puppets

Asian Puppets


The Five Books of Van Gross s

GOON SHADOW (sung to tune of 'Moon Shadow' by Stevens, Cat, Island/A &M 1970) Yes I'm bein' followed by a goon shadow goon shadow goon shadow. Leapin' and hoppin' from a goon shadow goon shadow goon shadow. And if I ever lose my hands ...

The Five Books of Van Gross s

The Five Books of Van Gross s

Reawaken, you awoken wokesters and anti-leftist xenophobes, and get your new bible. The Five Books of Van Gross’s focuses hearkens back to the “Middle Aughts” which is the period that included launching weather crusades, being a "birther" or talking nonsense at Townhall Meetings about "healthcare" (which is really medical care plus a gym membership, glasses and teeth cleaning); here was the mid-Decade of the Zeroes or the zeros, or zorro, the fox so cunning and free, that epoch from 2003-2007, in that Aughts Decade, that Would've, Could've, Should've Oughts Decade, or as some have called it, That Aughtistic Period (or at least an ADD case) demanding an explanation, couched in brain/mind disturbances via satirical essays. This five-volume set containing nearly 500 humor essays opens with They Shoot Lesbians Don’t They? covering most of 2004, followed by Deep Tricksters-From the Felt Man to the Veep Man-November 2004 to June 2005, the executive branch hunting related extravaganza Duck, It's Dick.. Not me Dick, the Duck, June 2005- March 2006 and is followed by Van Gross Misconduct February 2006 to August 2006 and finally Van Maniac September 2006- March 2007. The urgency for this historic volume draws from where we were in the lead up to where we are. Has political and cultural satire dwindled over the century’s first two decades plus? Hardly. And supporting works (essays and poetry) by Van Gross, MD dating back to the Bill Clinton Style impeachment period and post- Five Books works in pre-print that include the pre-teens to mid teen years constituting the sacred Obama period of carefully manufactured total boredom followed by the culminating late teen epoch of Donald Trump which featured our polarization insanity half decade 2016-2020 highlighted by Impeachments Gone Wild. If the country is not formally institutionalized in padded rooms by 2021, the roaring or throat clearing Jabiden ‘20’s should offer opportunities for millions to hop, skip and jump over to their local bookstore or online outlet for Five Books to buttress the smirk packed absurdity that has become the rule in the dawn of this third millennium since Christ sashayed over hills, dales and water staying vigilant for some upcoming Van Gross, MD masterpiece called the Jabiden Chronicles- Crash and Burn by ’29 or Bust, Seems Like Old Times

Shadow s End

... even at the last, as a Shadow. He would not want to be celebrated for what he had done, and I thought I could understand that, a little—I would never wish to have ballads sung about the Duke's murder, either. But beyond that, even, ...

Shadow s End

Shadow s End

At last, Catwin and Miriel have chosen their own path, escaping the Court and its machinations, and fleeing to the Norstrung Provinces, to aid the rebellion. As they shed the masks and deceptions of their former life, however, both must face the fact that the same dark forces they fled are at work even in the furthest reaches of Heddred.But it is not only avarice and hatred that endanger them—the prophecy made at Catwin's birth is slowly but surely coming true, and betrayal has followed her in her escape from the court. As the shadows of war and rebellion mass, Catwin must face the fact that if she wishes to be true to herself and her alliance with Miriel, it may be she who bears the cost of saving her kingdom…

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