Towards the Romantic Age

PREFACE Russian literature between 1750 and the romantic age presents a confusing picture. ... Period terms have been used in great variety, yet without general agreement as to the extent, or even the nature of the trends described.

Towards the Romantic Age

Towards the Romantic Age

Russian literature between 1750 and the romantic age presents a confus ing picture. Various literary movements arose and existed side by side, while new trends made themselves felt. At no other time in the history of Russian literature was there a similar influx of widely disparate literary and intellectual influences from the West. The complex evolution of literature is reflected in the area of literary classification. Period terms have been used in great variety, yet without general agreement as to the extent, or even the nature of the trends described. The essays of this study are devoted to two major literary trends of the 18th and early 19th century, -sentimentalism and preromanticism. They aim to elucidate their evolu tion as well as at defining and describing the conceptual framework on which they rest. Since the 18th century did not draw a sharp line between translated and original literature, both have been included here. Literary, philosophical, and general cultural influences from the West were of consi derable importance for Russian literature. The concepts, motifs and themes which reached Russian writers in translations moulded their own original works. The 18th century witnessed the formation of an adequate literary language which culminated in Kararnzin's style. The distinction of two stages in the development of sentimentalism as suggested here and the differentiation between both of them and a third literary trend, preroman ticism, is an attempt to reflect adequately the rapid change in stylistic and poetic norms.

An Oxford Companion to the Romantic Age

Given the morass of difficulties associated with the term 'Romantic', we were tempted to opt for the alternative period label often favoured by historians—'the age of Revolution'. Usually treated as synonymous with the rise of democracy ...

An Oxford Companion to the Romantic Age

An Oxford Companion to the Romantic Age

This reference work provides a broad cultural and historical perspective which presents the aesthetic achievements of great literary figures, their followers and opponents with their counterparts in the field of art, music, design and science.

Towards the Romantic Age

The essays of this study are devoted to two major literary trends of the 18th and early 19th century, -sentimentalism and preromanticism.

Towards the Romantic Age

Towards the Romantic Age

Russian literature between 1750 and the romantic age presents a confus ing picture. Various literary movements arose and existed side by side, while new trends made themselves felt. At no other time in the history of Russian literature was there a similar influx of widely disparate literary and intellectual influences from the West. The complex evolution of literature is reflected in the area of literary classification. Period terms have been used in great variety, yet without general agreement as to the extent, or even the nature of the trends described. The essays of this study are devoted to two major literary trends of the 18th and early 19th century, -sentimentalism and preromanticism. They aim to elucidate their evolu tion as well as at defining and describing the conceptual framework on which they rest. Since the 18th century did not draw a sharp line between translated and original literature, both have been included here. Literary, philosophical, and general cultural influences from the West were of consi derable importance for Russian literature. The concepts, motifs and themes which reached Russian writers in translations moulded their own original works. The 18th century witnessed the formation of an adequate literary language which culminated in Karamzin's style. The distinction of two stages in the development of sentimentalism as suggested here and the differentiation between both of them and a third literary trend, preroman ticism, is an attempt to reflect adequately the rapid change in stylistic and poetic norms.

ROMANTIC MOVEMENT A Journey to Nature Beauty and Imagination Idealization of Women and Rejection of Industrialization

The main characteristics of Romanticism can be identified as: i) The desire to return to nature and instill trust in human goodness. ii) Rediscovering the ... The poems and prose highlighted an inclination toward the medieval age.

ROMANTIC MOVEMENT  A Journey to Nature  Beauty and Imagination  Idealization of Women and Rejection of Industrialization

ROMANTIC MOVEMENT A Journey to Nature Beauty and Imagination Idealization of Women and Rejection of Industrialization

“In vain I have struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you.” Pride and Prejudice by Jane Austen Changes in society, beginning in the 18th century and continuing into our own time, underlie the Romantic Movement. It starts as a reaction against the intellectualism of the Enlightenment, against the rigidity of social structures protecting privilege, and against the materialism of an age which, in the first stirring of the Industrial Revolution, already shows signs of making workers the slaves of machinery and of creating squalid urban environments.

The Cambridge Companion to Women s Writing in the Romantic Period

25). There were also many “steps of life” illustrations that depicted women alone or men alone, particularly from the early to mid nineteenth century forward. An American Currier and Ives print, “The Life and Age of Woman” (1850), ...

The Cambridge Companion to Women s Writing in the Romantic Period

The Cambridge Companion to Women s Writing in the Romantic Period

The Romantic period saw the first generations of professional women writers flourish in Great Britain. Literary history is only now giving them the attention they deserve, for the quality of their writings and for their popularity in their own time. This collection of new essays by leading scholars explores the challenges and achievements of this fascinating set of women writers, including Jane Austen, Mary Wollstonecraft, Ann Radcliffe, Hannah More, Maria Edgeworth, and Mary Shelley alongside many lesser-known female authors writing and publishing during this period. Chapters consider major literary genres, including poetry, fiction, drama, travel writing, histories, essays, and political writing, as well as topics such as globalization, colonialism, feminism, economics, families, sexualities, aging, and war. The volume shows how gender intersected with other aspects of identity and with cultural concerns that then shaped the work of authors, critics, and readers.

Intellectual Politics and Cultural Conflict in the Romantic Period

Another aim of An Oxford Companion to the Romantic Age, to highlight 'the fiery debates, crushing commercial pressures, and chance events of a historical period that was felt to be seething with conflict', further indicated just how ...

Intellectual Politics and Cultural Conflict in the Romantic Period

Intellectual Politics and Cultural Conflict in the Romantic Period

Intellectual Politics and Cultural Conflict in the Romantic Period maps the intellectual formation of English plebeian radicalism and Scottish philosophic Whiggism over the long eighteenth century and examines their associated strategies of critical engagement with the cultural, social and political crises of the early nineteenth century. It is a story of the making of a wider British public sphere out of the agendas and discourses of the radical and liberal publics that both shaped and responded to them. When juxtaposed, these competing intellectual formations illustrate two important expressions of cultural politics in the Romantic period, as well as the peculiar overlapping of national cultural histories that contributed to the ideological conflict over the public meaning of Britain's industrial modernity. Alex Benchimol's study provides an original contribution to recent scholarship in Romantic period studies centred around the public sphere, recovering the contemporary debates and national cultural histories that together made up a significant part of the ideological landscape of the British public sphere in the early nineteenth century.

Queering Gothic in the Romantic Age

There is also the implication that if a man is attracted to a woman who embodies the social and linguistic attributes normally apportioned to men, then perhaps he may prefer to romance a man instead. Matilda's queerness precipitates ...

Queering Gothic in the Romantic Age

Queering Gothic in the Romantic Age

This book argues that Gothic writing of the Romantic period is queer. Using a variety of texts, it argues that contemporary queer theory can help us to read the obliqueness and invisibility of same-sex desire in a culture of vigilance. Fincher shows how the Gothic's ambivalent gender politics destabilize heteronormative narratives.

The Romantic Age in Prose

INTRODUCTION In this anthology we present the reader with a selection of texts of English discursive prose of the period from the late 1780's to the early 1830's , the Romantic age . We present what we consider to be important texts ...

The Romantic Age in Prose

The Romantic Age in Prose


The Romantic Period

Hulme, P. and T. Youngs (eds) The Cambridge Companion to Travel Writing (Cambridge, 2002). (Contains much of relevance to the Romantic period.) Jarvis, R. Romantic Writing and Pedestrian Travel (Basingstoke, 1997).

The Romantic Period

The Romantic Period

The Romantic Period was one of the most exciting periods in English literary history. This book provides a comprehensive and up-to-date account of the intellectual and cultural background to Romantic literature. It is accessibly written and avoids theoretical jargon, providing a solid foundation for students to make their own sense of the poetry, fiction and other creative writing that emerged as part of the Romantic literary tradition.

Cultural Interactions in the Romantic Age

Just as European borders in the Romantic Age were fluid and permeable , cultural identity fostered through interaction was similarly elastic . To avoid the isolation of narrowly determined geographic and lingusitic identity , writers ...

Cultural Interactions in the Romantic Age

Cultural Interactions in the Romantic Age

Charts the interactive contours of European culture of the late eighteenth to mid-nineteenth centuries, extending the chronological limits of Romanticism by identifying fresh links among works, authors, contexts, and institutions across national and linguistic borders.

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