1984

Its ideas have become our ideas, and Orwell's fiction is often said to be our reality. The definitive book of the 20th century is re-examined in a radical new adaptation exploring why Orwell's vision of the future is as relevant as ever.

1984

1984

April, 1984. Winston Smith thinks a thought, starts a diary, and falls in love. But Big Brother is watching him, and the door to Room 101 can swing open in the blink of an eye. Its ideas have become our ideas, and Orwell's fiction is often said to be our reality. The definitive book of the 20th century is re-examined in a radical new adaptation exploring why Orwell's vision of the future is as relevant as ever.

The Politics and Poetics of Contemporary English Tragedy

London: lohn Calder, 1984. 59-105. - Gertrude-The Cry. 2002. Plays Two. London: Oberon, 2006. 79-175. - The Love ofa Good Man. 1978. The Love ofa Good Man; with All Bleeding. London: lohn Calder, 1980. 1—70.

The Politics and Poetics of Contemporary English Tragedy

The Politics and Poetics of Contemporary English Tragedy

The Politics and Poetics of Contemporary English Tragedy is a detailed study of the idea of the tragic in the political plays of David Hare, Howard Barker, Edward Bond, Caryl Churchill, Mark Ravenhill, Sarah Kane, and Jez Butterworth. Through an in-depth analysis of over sixty of their works, Sean Carney argues that their dramatic exploration of tragic experience is an integral part of their ongoing politics. This approach allows for a comprehensive rather than selective study of both the politics and poetics of their work. Carney's attention to the tragic enables him to find a common discourse among the canonical English playwrights of an older generation and representatives of the nineties generation, challenging the idea that there is a sharp generational break between these groups. Finally, Carney demonstrates that tragic experience is often denied by the social discourse of Englishness, and that these playwrights make a crucial critical intervention by dramatizing the tragic.

Modern and Contemporary Black British Drama

(1984b) The Wasted Years, in Best Radio Plays of 1984 (London: Methuen). ... For the Reckord: A Collection of Three Plays by Barry Reckord. (London: Oberon), 17–69. ... (London: Oberon), 74–153. tucker green, d. (2003a) born bad.

Modern and Contemporary Black British Drama

Modern and Contemporary Black British Drama

This indispensable overview of modern black British drama spans seven decades of distinctive playwriting from the 1950s to the present. Interweaving social and cultural context with close critical analysis of key dramatists' plays, leading scholars explore how these dramatists have created an enduring, transformative and diverse cultural presence.

Caryl Phillips David Dabydeen and Fred D Aguiar

194). 2 Peter Fryer, Staying Power: The History of Black People in Britain (London and Sterling, VA: Pluto Press, 1984), p. 191. 3 Caryl Phillips, Rough Crossings by Simon Schama (London: Oberon Modern Plays, 2007), p. 48.

Caryl Phillips  David Dabydeen and Fred D Aguiar

Caryl Phillips David Dabydeen and Fred D Aguiar

Slavery is a recurring subject in works by the contemporary black writers in Britain Caryl Phillips, David Dabydeen and Fred D’Aguiar, yet their return to this past arises from an urgent need to understand the racial anxieties of twentieth- and twenty-first-century Britain. This book examines the ways in which their literary explorations of slavery may shed light on current issues in Britain today, or what might be thought of as the continuing legacies of the UK’s largely forgotten slave past. In this highly original study of contemporary postcolonial literature, Abigail Ward explores a range of novels, poetry and non-fictional works by these authors in order to investigate their creative responses to the slave past. This is the first study to focus exclusively on British literary representations of slavery, and thoughtfully engages with such notions as the ethics of exploring slavery, the memory and trauma of this past, and the problems of taking a purely historical approach to Britain’s involvement in slavery or Indian indenture. Although all three authors are concerned with the problem of how to commence representing slavery, their approaches to this problem vary immensely, and this book investigates these differences.

Nursing and Informatics for the 21st Century Embracing a Digital World 3rd Edition Book 2

1984. Oberon modern plays. London: Oberon Books. Jin, J., and Dabbish, L.A. (2009). Self-interruption on the computer: A typology of discretionary task interleaving. In Proceedings of the 27th International Conference on Human Factors ...

Nursing and Informatics for the 21st Century   Embracing a Digital World  3rd Edition   Book 2

Nursing and Informatics for the 21st Century Embracing a Digital World 3rd Edition Book 2

Nursing Education and Digital Health Strategies explores the current state of health and healthcare education, as well as that of nursing informatics education. These topics include technologies-enabled education for all nurses and interprofessional collaborations from a worldwide perspective. The "New" learning for applied critical thinking will include technology, content, skills versus tools, and the use of "smart" systems for care delivery, the role of critical thinking, and uniqueness of nursing care delivery. Further, how these changes are understood as a paradigm shift that needs to be incorporated along with nursing and healthcare education is emphasized. The effects of technology on human behavior are also explored, addressing human–factors interaction, interdependence of human–computer interaction, and other effects of technology on wellbeing. As part of nursing education, learning from clients/patients to better shape and advance nursing education and scholarship are discussed. Academic–clinical practice partnerships for a digital future, how teams are working together (clinician/teacher) for better healthcare delivery and applied knowledge—including joint appointments (exchange of academia and applied expertise), academic–applied human resources, and interprofessional learning/development—are discussed. This book closes by discussing and using case studies to showcase nursing competencies for the next decade, implications for preparing the healthcare workforce for a digital world, faculty readiness, and the interaction with gaming and simulations. Nursing informatics education, including continuing education beyond academia, i.e., informal education, worldwide, as well as global challenges to support digital world capabilities are described. Hands-on Experiential Delivery and learning-based case studies are also included. Nursing and Informatics for the 21st Century – Embracing a Digital World, 3rd Edition is comprised of four books which can be purchased individually: Book 1: Realizing Digital Health – Bold Challenges and Opportunities for Nursing Book 2: Nursing Education and Digital Health Strategies Book 3: Innovation, Technology, and Applied Informatics for Nurses Book 4: Nursing in an Integrated Digital World that Supports People, Systems, and the Planet

Genre A Guide to Writing for Stage and Screen

... Prentice-Hall, 1984. 12 Chekhov, Anton, Plays (trans. ... 16 Wade, Laura, Posh, Oberon Modern Plays, 2010. 17 Hannah and Her Sisters, dir. ... Steven Spielberg, Paramount Pictures, Lucasfilm, 1984. 4 Star Wars: Episode IV – A New ...

Genre  A Guide to Writing for Stage and Screen

Genre A Guide to Writing for Stage and Screen

What makes tragedy tragic? What makes comedy comic? What does Much Ado About Nothing have in common with When Harry Met Sally? Seneca with Desperate Housewives? Goldoni with Frasier? In Genre: A Guide to Writing for Stage and Screen Andrew Tidmarsh explores these questions and more. Investigating how the relationship between form and content brings endless discoveries and illuminations about how narrative works, this entertaining and accessible book looks at how storytelling in film and theatre has evolved and how an appreciation of form can bring the writer, director or actor a solid foundation and a sense of security, which ultimately assists the creative process. Including genre-specific exercises in every chapter helping the reader to write and devise, Genre: A Guide to Writing for Stage and Screen is for all those with an interest in story and can be used by writers, actors and directors alike – whether students or experienced professionals – to make the blank page appear less terrifying.

Modern British Women Writers

1984. Cambridge : Cambridge UP , 1996 . Loving Women . Prod . London , 1984 . Pasionaria . ... London : Oberon , 1998 . Stanley . Prod . ... Feminist Theatre : An Introduction to Plays of Contemporary British and American Women .

Modern British Women Writers

Modern British Women Writers

This reference includes alphabetically arranged entries on 58 British women writers of the 20th century. Some of these writers were born in England, while others, such as Katherine Mansfield and Doris Lessing, came from countries of the former Empire or Commonwealth. The volume also includes entries for women of color, such as Kamala Markandaya and Buchi Emecheta.

1984

Its ideas have become our ideas, and Orwell's fiction is often said to be our reality. The definitive book of the 20th century is re-examined in a radical new adaptation exploring why Orwell's vision of the future is as relevant as ever.

1984

1984


Orwell A Celebration

Celebrating the seventieth anniversary of Coming up for Air and the sixtieth anniversary of 1984.

Orwell  A Celebration

Orwell A Celebration

Celebrating the seventieth anniversary of Coming up for Air and the sixtieth anniversary of 1984.

Female Bodies on the American Stage

Framing Fat: Competing Constructions in Contemporary Culture. New Brunswick, NJ: Rutgers ... London: Oberon Modern Plays, 2003. LeBesco, Kathleen. ... New York Times, October 12, 1984. http:// www.nytimes.com/. Roth, Moira, ed.

Female Bodies on the American Stage

Female Bodies on the American Stage

The fat female body is a unique construction in American culture that has been understood in various ways during the twentieth and early twenty-first centuries. Analyzing post-WWII stage and screen performances, Mobley argues that the fat actress's body signals myriad cultural assumptions and suggests new ways of reading the body in performance.

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