Italian Violin Music of the Seventeenth Century

Giovanni Maria Bononcini Giovanni Maria Bononcini was born in 1642 in Montecorrone ( near Modena ) and died in 1678 in Modena . In 1671 he became violinist and in 1673 maestro di capella at the cathedral of Modena .

Italian Violin Music of the Seventeenth Century

Italian Violin Music of the Seventeenth Century


Complete sonatas for violoncello and basso continuo

It is still present in Carlo Frajese, "Antonio Maria Bononcini," Dizionario biográfico degli italiani (Rome: Istituto della ... William Klenz, Giovanni Maria Bononcini of Modena: A Chapter in Baroque Instrumental Music (Durham, ...

Complete sonatas for violoncello and basso continuo

Complete sonatas for violoncello and basso continuo


Chamber Music

Buyse is a flutist in the San Francisco Symphony . Giovanni Maria Bononcini ( 1642-1678 ) 968. Klenz , William . Giovanni Maria Bononcini of Modena : A Chapter in Baroque Instrumental Music . Durham , NC : Duke University Press , 1962 .

Chamber Music

Chamber Music


The Italian Cantata in Vienna

Concerning the biography of G. M. Bononcini, see Klenz, Giovanni Maria Bononcini ofModena; Pancaldi and Roncaglia, ... “Di insigni musicisti modenesi”; Roncaglia, La cappella musicale, 130–50; and Valdrighi, “I Bononcini da Modena.

The Italian Cantata in Vienna

The Italian Cantata in Vienna

Lawrence Bennett provides a comprehensive study of the rich repertoire of accompanied vocal chamber music that entertained the imperial family in Vienna and their guests throughout the 17th and early 18th centuries. The cantata became a form of elite entertainment composed to amuse listeners during banquets or pay homage to members of the royal family during special occasions. Concentrating on Baroque cantatas composed in the Habsburg court, Bennett draws extensively on primary source material to explore the stylistic changes that occurred within the genre in the generations before Haydn and Mozart.

Heinrich Schenker

Giovanni Maria Bononcini of Modena : A Chapter in Baroque Instrumental Music . ” Ph.D. dissertation , The University of North Carolina , 1958 ; published edition , Durham , N.C .: Duke University Press , 1962 ; reprint edition ...

Heinrich Schenker

Heinrich Schenker

Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17thcentury and geographically from Byzantium to the British Isles. They deal with questions of history, style, form, texture, notation, and performance practice.

The Baroque Double Bass Violone

William Klenz, Giovanni Maria Bononcini of Modena: A Chapter in Baroque Instrumental Music (Durham: Duke University Press, 1962), 19. 101. Gino Roncaglia, La Cappella musicale del Duomo di Modena (Modena: L. S. Olschki, 1957), 164.

The Baroque Double Bass Violone

The Baroque Double Bass Violone

In the nineteenth century, use of the violone, a bass instrument with many sizes and variations, was nearly eliminated from musical repertoires, and its traditional parts were parceled out to other instruments such as the violoncello. The following phases of revival of the double-bass have been hampered by a lack of physical evidence and diligent research into the historical uses of the instrument. The Baroque Double Bass Violone is a comprehensive study that examines a cross-section of standard works to enhance contemporary violone research, and provide information for musicologists, music publishers, ensemble leaders, and revivalists, all of whom have been unable to reconstruct an essential part of Baroque music. This translation finally makes the most exhaustive study of the double bass violone accessible to English-speaking musical enthusiasts. The book includes lists of terminology, the most comprehensive bibliography to date, and 48 illustrations that make this a compendium of string bass research.

Bolognese Instrumental Music 1660 1710

31 Studies on music and musical patronage in late-Seicento Modena include Gino Roncaglia, La cappella musicale del duomo di Modena (Florence: Olschki, 1957); William Klenz, Giovanni Maria Bononcini of Modena: A Chapter in Baroque ...

Bolognese Instrumental Music  1660 1710

Bolognese Instrumental Music 1660 1710

This book, the first of its kind, is a study of Bolognese instrumental music during the height of the city's musical activity in the late seventeenth century. The period?marked by a rapid expansion of the cappella musicale of the principal city church, San Petronio, by the founding of the Accademia Filarmonica, and by increasingly lavish patronage of musical events?witnessed the proliferation of repertory for instrumental ensembles. This music not only reveals crucial stages in the development of the sonata and concerto but also recalls the elaborate church rituals and the opulent public and private celebrations in which they figured prominently. Moreover, the late seventeenth century saw the heyday of Bolognese music publishing, whose output of sonatas and related instrumental genres easily surpassed that of the once-dominating Venetian presses. The approach taken here departs from composer- and genre-centered monographs on Italian instrumental music in order to illuminate an array of topics that center on the Bolognese repertory: the social condition of instrumentalist-composers; the acumen of music publishers in the creation of the repertory; the diverse contexts of the instrumental dances; the influence of liturgical traditions on sonata topoi; the impact of psalmodic practice on tonal style; and the innovative climate that led to experiments with scoring and form in the earliest instrumental concertos. In sum, this book not only illustrates the historically significant and defining features of the music, but also links the surviving repertory to the flourishing musical culture in which it was created.

The Harvard Biographical Dictionary of Music

Giovanni Bononcini , ” PRMA 101 ( 1974-75 ) : 107–20 . Bononcini , Giovanni Maria ( b . Montecorone , near Bonynge , Richard ( Alan ) ( b . Sydney , 29 Sept. 1930 ) . Modena , bapt . 23 Sept. 1642 ; d . Modena 18 Nov.

The Harvard Biographical Dictionary of Music

The Harvard Biographical Dictionary of Music

Provides authoritative articles covering nearly 5,500 figures in the history of music, from classical to jazz to hymns to blues

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